Now at version 4, this iteration of Melodyne makes the first one look positively prehistoric. Here was a tool that could see inside digital audio and let you alter certain of its characteristics, but without destroying it in the process. When Melodyne came on the scene it changed all that. True, people made a virtue out of the fact that it would bend and warp when sampled and slowed down, but there wasn’t really all that much you could do with it beyond messing it up or cutting it. MIDI has always been pretty easy to manipulate but digital audio was for much of its early life a very different story. Not so many years ago, something like Melodyne would have seemed like impossible magic from another planet.
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